BEASTGRIP CO

Singer marks Kirk Mihelakos’ sixth iPhone short film, featuring Beastgrip gear and a striking blend of storytelling, cinematography, and post-production. Shot on iPhone 17 Pro. LEARN MORE

28 Years Later is a bold, post-apocalyptic thriller that marks a major leap forward for mobile cinema. Shot on iPhone 15 Pro, the film was brought to life using Beastgrip gear to achieve stunning cinematic visuals. LEARN MORE

Big Man is a gripping short that brings Stormzy’s raw performance to life under the vision of director Aneil Karia. Captured on iPhone 16 Pro with Beastgrip gear, it pushes mobile storytelling to new cinematic heights. LEARN MORE

This remarkable project showcases the evolution of mobile filmmaking, captured entirely on an iPhone and powered by the new Beastgrip DOF Adapter Фoton adapter in partnership with Atlas Lens Co. and Old Fast Glass. LEARN MORE

Filmed entirely on iPhone 16 Pro with the Beastgrip Pro and 1.33X Anamorphic Lens, RELINQUISH is a cinematic journey of resilience, release, and visual storytelling. Directed by Chase Langley, this powerful short proves that with the right tools, creativity has no limits. LEARN MORE

Steven Soderbergh's Unsane (2018) was shot entirely on an iPhone 7 Plus using the Beastgrip Pro rig. The film showcases the power of mobile filmmaking, proving that smartphones can deliver cinematic-quality results.

Zack Snyder's short film Snow Steam Iron was shot entirely on an iPhone 7 Plus using the Beastgrip Pro rig. The film highlights the creative potential of mobile filmmaking with stunning visuals and dynamic storytelling.

Steven Soderbergh's High Flying Bird (2019) was shot entirely on an iPhone 8 using the Beastgrip Pro rig. The film showcases the capabilities of smartphones in professional filmmaking, delivering stunning visuals and a dynamic cinematic style